Two Female Sleuths and a Cello Suite!

I’ve made the most of no-marking weekends lately — that’s the end of them for a while, so I’m glad I did. Some good escape reading: Alan Bradley’s Sweetness at the Bottom of the Pie.…

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Toni Morrison’s A Mercy

Last fall, a phrase from something I read — I thought it might have been from Ondaatje’s Divisadero, but couldn’t find it on a quick skim through; perhaps it’s in Anne Michaels’The Winter Vault —…

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Finishing the Year: Hilary Mantel’s Wolf Hall and Patricia Cornwell’s The Scarpetta Factor

Oh dear! Once again, I am woefully behind in recording my reading. At the moment, I’m reading Penelope Lively’s The Family Album, having finished Margaret Atwood’s The Year of the Flood as my first 2010…

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The Enchantress of Florence

17 or 18 years ago, in an undergraduate course in Commonwealth Literature (otherwise known as post-colonial lit.), I first read Salman Rushdie’s Midnight’s Children. I’ll admit to finding it a hard slog, at first, densely…

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Sebald’s Emigrants

When I began this blog, it was primarily intended as a commitment to myself to take time to record and, hopefully, to reflect on my reading rather than simply to chomp through pages that I…

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Copyright

Unless otherwise stated, all words and photographs in this blog are my own. If you wish to use any of them, please give me credit for my work. And it should go without saying, but apparently needs to be said: Do not publish entire posts as your own. I will take the necessary action to stop such theft. Thanks.